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Altan & Lúnasa

The ultimate Irish double bill- Two of the all-time greats of traditional CELTIC music

with ALTAN – The Ultimate Irish Double Bill Tickets: ph (02) 9550 3666

Tickets: ph: 1300 762 545




Over 25 years of playing together, Altan have established themselves as one of the most important live acts to play traditional Irish music in Ireland and on the World stage. The Boston Globe has described them as “The hottest group in the Celtic realm!” Altan have toured all over the USA and Europe. They also enjoy popularity in Japan where they frequently tour and have hosted Altan festivals in the middle of Tokyo to thousands of enthusiastic fans.

The current line-up consists of Mairéad Ní Mhaonaigh (Fiddle & Vocals), Dermot Byrne (Accordion), Dáithí Sproule (Guitar), Ciaran Tourish (Fiddle), and Ciarán Curran (Bouzouki),

Altan has released 13 albums over the past 25 years. They have recorded three albums for Virgin records; “Blackwater” (1996), “Runaway Sunday” (1997) and “The Blue Idol” (2002). This merger with a major record label helped Altan bring their music, song and culture to a wider audience worldwide and paved the way for up and coming younger bands to tour extensively all over the world – crucially the band made no musical compromise to the traditional music they played and recorded.

Altan have proven to be important ambassadors of the music and culture of Ireland, so much so that they were invited to accompany the Irish President, Mary McAleese on several State visits, visiting Greece, Korea and Japan. Altan were asked to play at the White House twice by US President Bill Clinton, and played again for him when he visited Ireland. In 2006, the Irish government honoured the band by putting them on an official Irish postage stamp, one of the highest honours bestowed upon any living artist in Ireland (the only others honoured in this set of four stamps were The Chieftains, The Dubliners and Makem and Clancy). Altan have been invited to play by Nancy Pelosi, Speaker of the US House of Representatives in 2007, and were granted the celebrated “Arkansas Traveller” award from state governor Mike Huckabee. “Tommy Bhetty’s Waltz” from the Red Crow album was featured in the oscar-winning film Good Will Hunting starring Robin Williams in 1997.

Altan have played their music in some of the most prestigious venues in the world; The Sydney Opera House, The Hollywood Bowl, The Royal Albert Hall, The Alte Opera Frankfurt, The Greek Theatre Los Angeles and many, many more. They have played music and recorded with The Chieftains, Dolly Parton Bonnie Raitt, Alison Krauss, Ricky Skaggs to name but a few. In 2003 they won the award for Best Group at the BBC Radio 2 Folk Awards. In 2005, they recorded their latest studio album “Local Ground” and like every other Altan offering it was met with positive and enthusiastic reviews. The band have gained gold and platinum status in Ireland with their record sales and have won numerous awards in the music business as one of the most popular bands playing traditional folk or world music in the world.

In recent years Altan have been exploring and experimenting with their music using orchestral arrangements of their most popular pieces. The arrangements have been scored by the highly respected arranger, Fiachra Trench and have been performed with the Ulster Orchestra, The RTÉ Concert Orchestra and with the Royal Scottish Opera Orchestra.


“…the best Irish traditional music band in the world right now.” “One of the band’s greatest collective talents is their ability to pull off technically difficult and precise music with a casual, fun air, almost as if the five met for the first time with their various instruments at a pub and joined together spontaneously for a session.” The Wild

“It’s all there: jaunty jigs, melancholy melodies, mad passion, soft beauty.

A wall of sound created by traditional Irish acoustic instruments enhanced by the restrained, but not understated,playing of the orchestra.” International Review of Music

“The group doesn’t just play jigs and reels as they have been handed down for generations …

but rather more textured and nuanced variants of the Irish dance music, displaying not only their notable skills on their respective instruments, but also their creativity and arrangements.” Irish Central

Music is one of Ireland’s most celebrated exports, and Lúnasa, a band like no other, has been at the forefront of that musical migration.  Since the release of their 1997 recording debut LÚNASA and the band’s first tour of the U.S.—when word-of-mouth led to SRO shows and rave reviews (“This is the hottest Irish acoustic group on the planet” said The New York Times)—the all-star quintet has become one of the most popular bands on the international Celtic music scene.

Comprising Seán Smyth (fiddle and low whistles), Kevin Crawford (flute, low whistles and tin whistles), Cillian Vallely (uilleann pipes and low whistles), Trevor Hutchinson (double bass) and the group’s newest member Ed Boyd (guitar), Lúnasa delivers music with a passion that informs every note and continues to define and redefine the genre.  Their innovative arrangements and unique approach to the music create a singular sound that has propelled Irish acoustic music from familiar ground into surprising and exciting new territory.

“Lúnasa is a very different Irish band in many ways,” explains Cillian Vallely.  “It’s an all-instrumental band.  We have a double bass.  We play a very diverse selection of music, including our own compositions, melodies from other Celtic regions such as Brittany, Galicia, Asturias, and Scotland, and slower melodies, often involving three-part harmonies.  The melodies are played on the traditional instruments of pipes, fiddle and flute, but the rhythmic and harmonic style—the bass and guitar style—give the band a very contemporary sound.”

It’s a sound that moves beyond the long established boundaries of traditional music, and it has earned the group a following that encompasses music fans of all ages and tastes around the world.  Lúnasa is also a collective that courts opportunities to grow and change, to try something different.  With eight albums already in its discography,  as well as solo CDs and recording and performing credits with many of Ireland’s and the world’s most well known talents, the quintet will introduce a rarity in the traditional music world with the release in April, 2013 of LÚNASA WITH THE RTÉ CONCERT ORCHESTRA.

LÚNASA WITH THE RTÉ CONCERT ORCHESTRA is a glittering collection of tunes sparked from a brilliant union of two of Ireland’s brightest musical stars—a remarkable  traditional Irish music band and Ireland’s treasured national orchestra which has long prided itself on its dynamic programs and stylistic range.  Their first joint effort was a sold-out performance at Dublin’s National Concert Hall on June 19, 2012 that was later broadcast on RTÉ Radio 1 and followed by the recording of the album.  The RTÉ Concert Orchestra, whose credits include seven Eurovision Song Contests and projects with talents as diverse as Luciano Pavarotti, Cleo Laine and Jon Lord of Deep Purple and Ireland’s Sharon Shannon, Sinéad O’Connor, Imelda May and The Coronas, is conducted by David Brophy.

The collaboration with Lúnasa was born when RTÉ asked Niall Vallely, one of Ireland’s most exciting new composers and brother of Lúnasa’s piper Cillian Vallely, to create arrangements for a traditional band.  With classical and traditional compositions to his credit, Vallely was the perfect fit for this adventurous undertaking, and he suggested Lúnasa for the project.  Lúnasa has long been praised for its innovative use of harmony and rhythm, and Niall expanded these features to take advantage of the rhythmic and harmonic possibilities of the full orchestral sound.  The result is truly a new sound in Irish music.

Among the album’s nine tracks are “The Merry Sisters of Fate” and “Morning Nightcap,” tunes long associated with the band, “Casu”, “Leckan Mór,” “Spoil The Dance” and “The Minor Bee.”   Also included are “A Breton Set” featuring “Tro Breizh,” Pierre Bensusan’s “The Last Pint” and the specially composed “An Buachaillín Bán.”

“It’s been an almost cathartic experience in many ways to revisit many of the melodies that Niall Vallely chose to arrange for ourselves and the RTÉ Concert Orchestra.  A number of the pieces had been banished to the wilderness, destined never to see the light of a Lúnasa day ever again.  Getting the opportunity to dust them down and hear them in a totally new environment gave the tunes a whole new lease of life and reawakened our love and respect for them,” says the band’s Kevin Crawford.  “What an amazing buzz it’s been playing our music among the orchestral wall of sound.  From the initial rehearsals to the performance at the National Concert Hall in Dublin and onto the recording of the album, it’s been sheer joy from start to finish and an experience that I certainly never thought I’d encounter as a traditional Irish musician.”

In the years since those early concerts and CDs catapulted the band to the forefront of traditional Irish music, the members of Lúnasa have gathered a long list of credits and honors in addition to the legion of fans that spans the globe, fitting achievements for a band that takes its name from the old Celtic harvest festival in honor of the god Lugh, patron of the arts.  In 2004, seven years and three albums (OTHERWORLD, 1999; MERRY SISTERS OF FATE, 2001; REDWOOD, 2003) after their acclaimed debut, the group recorded live within the supposedly-haunted walls of Ireland’s Kinnitty Castle.  THE KINNITTY SESSIONS was voted Best Traditional Album of 2005 by readers of Irish Music Magazine and was nominated for Folk Album of the Year in the BBC Radio 2 Awards.  Released in 2006, the SÉ album was followed by the 2008 compilation THE STORY SO FAR… The well-received LÁ NUA, released in 2010, was recorded in the ancient pagan settlement of Bavan, Co. Louth.  That year Lúnasa was named Performers of the Decade at Live Ireland’s LIVIES awards and were invited to perform at The White House.  It was also the year they collaborated with Natalie Merchant on her LEAVE YOUR SLEEP album and won kudos from Folk & Roots and The Independent for their closing performance at the world-renowned Cambridge Folk Festival.  In 2012, the band’s itinerary included the UK (18 shows in 19 days), North America (three tours) and the sold-out performance at Dublin’s National Concert Hall with the RTÉ Concert Orchestra.  Along the way, the group has toured and performed with Billy Bragg, Mary Chapin Carpenter, Ladysmith Black Mambazo and Roseanne Cash, played the Hollywood Bowl and headlined Glasgow’s international jamboree, Celtic Connections.

Through the years, the bandmates have earned credits on other projects as well.  Before Lúnasa, Kevin Crawford was a member of the Claire-based band Moving Cloud and recorded with Grianán, Raise The Rafters, Joe Derrane and Sean Tyrrell.  A virtuoso flute player, he has recorded two solo albums.  Stand-up bass master Trevor Hutchinson played with The Waterboys from 1986 to 1991, recording with them as well as with the Sharon Shannon Band, Altan’s Dermot Byrne, Eric Bibb, Máire Breatnach and Eileen Ivers of Riverdance renown.  Cillian Vallely has extensively toured the U.S. (where he now lives), performing with the New York-based Whirligig, Paddy O’Brien’s Chulrua and with Claire fiddler Seamus Connolly.  He was featured as uilleann pipes soloist in the Broadway production of Riverdance and toured with Tim O’Brien.  With his brother Niall, he recorded the album CALLAN BRIDGE.  Seán Smyth, a native of Straide, Co. Mayo, is an All-Ireland champion on both fiddle and whistle and is also a practicing medical doctor.  THE BLUE FIDDLE, his 1993 solo debut, was named one of the year’s 10 Best Albums by The Irish Echo, and he appears on numerous other recordings.  Ed Boyd, who permanently joined the group last year, is a founding member of the BBC Folk Award-winning group Flook and the guitarist of choice for artists such as Cara Dillon and Kate Rusby.

With the release of LÚNASA WITH THE RTÉ CONCERT ORCHESTRA, the band will continue to explore new directions in the world of Irish traditional music.  “Thankfully, the huge melting pot of music that exists within the Irish tradition allows us to seek out exciting and unexplored melodies that work for a band like ourselves,” says Kevin Crawford.  “This combined with the newer self composed pieces and strong belief in what we do help to keep both the band and the tradition very much alive and kicking.”  Referencing the new CD in particular, Seán Smyth adds:  “As for the future, there are many, many musical journeys left open to us.  For now, we’re going to savor the orchestral theme and look forward to recreating these wonderful arrangements in theatres and with audiences around the world.”